Wyatt Kirschner, fresh off a whirlwind year of touring as the guitar player of Daffo opening for Illuminati Hotties and Sir Chloe, is stepping into the spotlight with his debut EP Altar under the alias Paris Archives. Drawing inspiration from American Primitivism and his personal journey as a musician, Kirschner’s music captures real snapshots of time. His sound is shaped by influences like John Fahey, Hayden Pedigo, MJ Lenderman, and a touch of upstate New York Summers, geese flying in formation, and cold gray sticks.
In this interview, Kirschner sits down for his first ever interview and discusses his first solo project, the highs and lows of touring, and the creative battles he’s overcome to get here.
You once mentioned the idea of “your ability catching up to your taste.” Can you elaborate?
Absolutely. It’s from a quote on creativity—maybe George Harrison? When he started writing songs for the Beatles, they weren’t Lennon-McCartney level, but he kept at it. I’ve reached a point where I can listen to my EP and genuinely enjoy it. It feels aligned with my vision and goals.
Did you ever imagine this life when you were in high school?
Not at all. Every day feels surreal. Even when it’s tough, I step back and think, “I’m touring, playing music, and living my dream.” Last winter, I got the call to play guitar in Daffo and open for Sir Chloe, and I was ecstatic. Jumping up and down and hugging my friend. Even just moments in the van watching a sunset in West Texas are surreal, or playing an incredible show in Atlanta, or L.A., or New York, it’s so amazing.
What was your favorite show from touring with Daffo?
New York at Bowery Ballroom. Oversold it, and the place just has mojo. I’ve gotten to play there twice, and it never disappoints.
Your debut EP Altar feels honest and unforced. How long has it been in the making?
I’ve been writing since high school, but my focus was always guitar. Songwriting felt elusive. After years of trial and error—probably 50-60 songs—I had a breakthrough in 2021 with Bob Dylan and other lyrical singers. Then in 2023, everything clicked. Life changes, touring, and encouragement from friends gave me the confidence to finally share my music.
Who helped you bring this project to life?
Kyle Stockman co-produced and engineered the EP. My friend Max Ludlow, aka Windy 500, recorded my vocals for “Altar,” and my girlfriend Emma, who’s in Like a Doll, played an amazing bass part on “Color.” We even left the studio doors open to let in the sounds of upstate New York—birds, wind, and all. It’s a record deeply tied to home.
Any mantras or creative epiphanies lately?
It really doesn’t matter as much as you think. I spent years doubting myself—holding back from releasing or even singing my own songs because I didn’t feel good enough. But once I finally got over myself and put something out, it felt amazing. Now, I’m empowered to keep creating. The biggest lesson: There are no rules. Just start.
What’s next for you?
I’m excited to keep creating and see where this journey takes me. This EP is just the beginning.
Check out Paris Archives debut EP, Altar, below:
